LISTEN AND LOOK!
Glasgow’s Holy Esque announce the release of their long-awaited debut album At Hope’s Ravine, available February 26th 2016 via Beyond The Frequency. The band are now streaming the brand new single “Hexx”, which will be released as a double a-side alongside “Silences” on December 7th 2015.
At Hope’s Ravine is a primal, muscular, and utterly elemental work – a true epic in an era when such an epithet is overused. Here, bold is beautiful and Holy Esque’s messages of hope and grief, escape and yearning are writ large across sonic skies. “These are songs about belonging, fear, love, self-doubt, dreams, religion, release, darkness versus light and escape – especially escape,” says singer Pat Hynes. Lyrically the songs are “about life events and experiences, but often it’s via abstractions.”
Holy Esque formed in Glasgow in 2011. Frontman Hynes and keyboardist Keir Reid both grew up in post-war Lanarkshire new town East Kilbride, a place most usually known for its brutalist architecture and the birthplace of The Jesus & Mary Chain. Keyboardist Reid and drummer Ralph McClure met at the famed Glasgow School of Art (alumni include members of Franz Ferdinand, Peter Capaldi and generations of some of Scotland most eminent poets, writers and painters) and Hugo McGinley joined on guitar.
Holy Esque’s music is comprised of tones and textures. Peaks and troughs. Brush strokes and breaking waves of sound. Here chiming guitars interweave with emotive synth embellishments, and all shot through with Pat Hynes’ inimitable vocals, delivered from a dark place somewhere deep within his very centre.
The new album follows a clutch of exceptionally well received EPs, which saw the band play all over the world as an unsigned band. Produced by Grammy Award winning producer Jon Schumann (Mew, Kashmir), At Hope’s Ravine was recorded in variety of locations and countries and is a bold statement of Holy Esque’s life to date.
A surge of musical serotonin delivered with breathless intent, the chiming guitars of new single “Hexx” recall that time when post-punk made a bid for stadium filling greatness while it’s b-side “Silences” offers the hope hinted at in the album’s title.
At Hope’s Ravine will be released via the bands own label Beyond The Frequency on February 26th 2016 and is available to pre-order now.
In early 2014, multi-instrumentalists Brian Stewart and Alex Grant parted ways with their previous outfit, Analog Anthem, to form a new indie pop project — Youth Warrant. Released in March 2014, their debut 3 song EP “Strange Paradise”, anchored by a single of the same name, set them on their new direction as a group.
In 2015, the duo moved from Baltimore, MD to southern California to solidify the direciton of Youth Warrant and to seek other musicians and influences to round out the project. They soon met Matt Aukerman (a Tampa, Florida native and San Diego transplant), who joined them on guitar, backing vocals, and more. The three got right to work building a new project studio in the Ocean Beach neighborhood to write and record. By mid 2015, they had amassed a vast collection of new material.
On October 6, the trio will be releasing their new single, “Shake”, produced and engineered by Youth Warrant and mixed by their previous mix engineer, John Grant. This single ushers in their new era as a trio, as Californians, and as a new and improved indie pop outfit looking to spread their music with enthusiastic live performances and tightly produced recordings. With well-crafted, smart pop songs that reach a wide audience, they look to spend the rest of 2015 writing and releasing music and hit the road to bring them to life in 2016.
Song, “Empty Weather”, EagleWolfSnake brings a pop feel to indie rock. Lush with high energy vocals, catchy guitar hooks, and an all around fun attitude, the song certainly seems to get under your skin. Through it all, EagleWolfSnake is able to take something familiar, and create a whole new aesthetic all their own.
Hailing from San Francisco, EagleWolfSnake formed in March of 2014 after their last project,Music For Animals, began to come to an end. Eli Meyskens, Nick Bray, and Ryan Malley had been writing new songs on their own as the old band was ending, digging the vibe and deciding to see where it went was how EagleWolfSnake was born.
Almost immediately after coming out with the first couple shows the band was picked up for the Bottlerock Music Festival in Napa CA, as well as the Noise Pop Festival and Fog City Music Festival in San Francisco CA. The band has since played sold out venues in the Bay Area along sides bands like Stone Foxes, Mansions on the Moon, The Frail and Taylor Locke (Rooney).
As the band adds, “This project was born from the pure love of music. We have played together for years in previous bands, writing albums, touring the US and Europe. After having a brief brush with the major label record industry, we have seen that nothing is as important to us as the music. If we are not playing what comes natural and intuitively then we’re not making the right kind of music. This band wants to make music that makes us feel good and hopefully it will make others feel good too”
EagleWolfSnake will release their debut album Zang! this October 2015.
Project Pabst has come and gone. My first year in and I would say it was a great success. Music was fantastic, Things ran timely (for the most part), the location was great, (next year will be a breeze with the new bridge open) but I do wish they would have provided more cover for retreat from the blazing sun. People were standing in the shadow of others to find some kind of relief. But hey, I guess things could have been worse. There was no shortage of beer, although I heard many grumblings about the lack of selection. I mean you have to remember where we are, and what it’s called Project Pabst. Portland, Oregon is a micro-brew mecca, so I guess the groans makes sense.
Day 1: Musically speaking, the band Priory gave me great pleasure and a great way to kick off the “festival”. I have been on their trail since 2010, and I did a piece with them here on S.S. (read here) and no surprise, they have now signed to Warner.
I was able to give Laura Jean (Against Me!) props for blazing the transgender trail long before Caitlyn Jenner, and the set was amazing and raw as ever. Velevet Teen blew my mind as I was only very recently familiar with them, and Thee Oh Sees were fucking incredible per usual. TV On The Radio, was sheer brilliance, they just keep getting better, and musically more articulate. Back to the other stage, Run The Jewels, pretty much fuckin blew the place apart, and I was instantly won over by the energy of their set. These guys are on a fast track up, and its not a surprise at all.
The whole day was great, including headliner Blondie. She may be a 70 year old woman but Blondie proves that age is just a number, she rolled through her hits like a consumate professional. Heat or not, she is a icon who brings you back in time with songs like “Heart of Glass”, or even the more recent “Maria”. She just has that feel good appeal.
Day 2: the sun was upon us again, and once I was able to accept the fact of the incredible discomfort of the heat. I sought out more shade, drank more water … maybe you could say I was in a bit of a “survival mode”, since I knew I would be there for most of the day. I did arrive a bit late, but I did manage to catch the set of Alvvays, who I have really enjoyed over the last year or so. They weren’t exactly the most entertaining band, but I enjoyed their tight sound.
I quickly ran over to catch the set of Aimee Mann’s new project The Both, and I am glad I did. I forget how good her vocals are and her comfort in front of a audience.
Passion Pit was up next, and frankly I was stoked to hear these guys live again. I just needed some musical energy to refuel my tank, cause the sun was sapping me dry. And when they took the stage, the crowd reacted as if I weren’t the only one.
Buzzcocks were next and I was pretty blown away, by how fuckin tight these punk legends sounded. It was full on, from beginning to end, and the crowd ate it up.
Lastly…. Weezer. I’m a fan, and not one time have I been disappointed. They just have such a fun catalogue of music, and the crowd was more than happy to sing along to all of the songs you either loved or hated, but it was the best way to close out two brutal days of mother nature and her hot flashes.
The festival overall was great, and I can see this continually growing, but I think PBR needs to snatch up some microbrews, so they can offer a deeper selection of beer. Between the heat and the beer, the PNW can be a tough sell, but I hope to make it back next year.
For the seventh installment of this year’s Singles program, Adult Swim is sharing a new track from Peaches with assistance from Nick Zinner of Yeah Yeah Yeahs. “Bodyline,” along with new single “Light In Places” are the first new Peaches releases in some time, and come in advance of this September’s forthcoming full length Rub.
Peaches’ “Bodyline” comes on the heels of releases from D∆WN, Cherry Glazerr, Kitty, Owen Pallett, Yung Lean and Swervedriver in this year’s 19-week long program that runs into October and features forthcoming songs from Slayer, Run The Jewels, Skrillex, Chromatics, Flying Lotus, DOOMSTARKS and Danny Brown & Clams Casino, among others. Stream the new track from Peaches below via Soundcloud or download it from AdultSwim.com/singles now.
Peaches’ Rub is out on September 25th and available for pre-order now via iTunes, Amazon and her site. Her headlining US tour starts on October 1st. All dates & TIX are here: http://bit.ly/1LOipZb
Sept. 7th- Bumbershoot. Seattle, Wa.
Oct. 5th- Roseland Theater. Portland, Ore
Oct. 15th- First Ave. Minneapolis
PROJECT PABST JULY 17th-19th: WEEZER, TV ON THE RADIO, BLONDIE, BUZZCOCKS, PASSION PIT, AGAINST ME! AND MORE!!
Pabst Brewing Company and Superfly are proud to announce the lineup for 2015’s Project Pabst. The innovative celebration of Pabst and the city of Portland, OR, featuring a main festival and night shows The Spits, The Sonics, Tacocat!, The Coathangars, The Mummies, Shannon and The Clams and more) comprised of music, entertainment, food and drink, will take place July 18 and 19. The same restored Zidell Yards that hosted the incomparable first year will host the festival’s two stages on its 10 acres in the heart of the South Waterfront District. Blondie, Weezer, Passion Pit, TV On The Radio, The Both (ft. Aimee Mann and Ted Leo), and Against Me! are among the many artists who will perform this year.
In one year, Project Pabst singlehandedly raised the bar for live music in Portland. Now an annual gathering, this year’s lineup will solidify Project Pabst as the premier festival in the region, with unmatched creative programming. The Oregonian said of the inaugural event, “As debut days go, Project Pabst’s Portland reveal stuck the landing.“ In the festival’s second year, the lineup features legendary acts like Blondie, seminal UK-punks The Buzzcocks, and powerhouse hip-hop duo Run The Jewels, as well as Terry Six and King Louie Bankston of beloved Portland outfit, The Exploding Hearts.
Fans must be over 21 to attend. The late-night show component of the festival will take place July 17 and 18 with the full late-night lineup and venue information coming soon. One dollar from every ticket will go to help the Jeremy Wilson Foundation, dedicated to providing financial assistance in times of medical crisis and to improving the overall well-being of individual musicians and their families.
“We were pleasantly blown away by the way Project Pabst was embraced by not just the city of Portland, but by our loyal PBR consumers and music fans across the country,” says Pabst Brewing Company’s CMO Dan McHugh. “We are excited for year two of Project Pabst. From the very beginning, we wanted it to be more than just a music festival; we wanted it to be a PBR experience. We look forward to sharing that with even more people this year.”
The Superfly and Pabst Brewing company collaboration continues this year creating the ideal multi-faceted festival experience Portland deserves. Superfly’s history of designing groundbreaking properties such as Bonnaroo and Outside Lands, cultivating them into becoming incomparable global phenomena, coincides perfectly with Pabst’s remarkable vision as the largest American-owned brewer established in 1844. The Oregonian said of last year’s partnership, “In their collaborative debut, Pabst and promoter Superfly put together an almost unbelievably smooth festival weekend.”
“We are so excited to build upon last year’s tremendous success,“ said Superfly’s Richard Goodstone. “The team put together an amazing line up and will have lots of surprises for year two.”
The unique strengths of these two companies using the backdrop of the beautiful waterfront in one of the greatest musical cities in the country is certain to make for another unforgettable weekend. This year’s music programming will again represent a wide range of genres, with major national headliners performing alongside exceptional emerging talent, making the event a substantial celebration of the established and the cutting edge. Local acts will also be featured prominently as the festival will represent Portland’s vibrant cultural community. The Portland flavor will also be seen in the festival’s concessions, featuring foods from local eateries. With a seemingly endless selection of music and activities, Project Pabst is certain to provide a singular festival experience that will also serve as a beacon as it shines a light on the wonders of the Portland community.